Lore Olympus Codexery

Ares

The God of War who treats every conversation like a battlefield and every sibling like a rival.

Ares is the God of War in the world of Lore Olympus, a towering, red-haired deity whose name alone sends lesser mortals and gods alike into a cold sweat. In Rachel Smythe's reimagining of Mount Olympus, he occupies the role of the loud, combative older brother figure—a recurring source of tension, petty cruelty, and explosive confrontation that punctuates the otherwise romantic and political drama of the series.

He is best known to readers for his bitter, ongoing rivalry with his sister Athena, his volatile and ultimately dissolved marriage to Aphrodite, and his general inability to keep a lid on his temper. Where other gods navigate Olympus with charm or cunning, Ares simply bulldozes through, making him one of the most immediately recognizable and viscerally irritating characters in the webcomic's cast.

Role
God of War
Affiliation
Olympus
Sibling
Athena
Ex-spouse
Aphrodite
Temperament
Aggressive, confrontational, quick to rage
Status
Active deity, recurring antagonistic figure

Lore & Background

In Lore Olympus, Ares inhabits a version of Mount Olympus that blends ancient divine hierarchy with the trappings of modern celebrity culture. He is a full-bodied, scarred, perpetually irritated figure who commands respect through sheer physical presence and a willingness to escalate any disagreement into something genuinely dangerous. His domain—war—gives him a legitimate reason to be loud, violent, and politically aggressive, and he uses it without apology. He is not a villain in the scheming, patient sense; he is a bully, a provocateur, a god who mistakes volume for authority.

His relationship with Athena is the emotional spine of his character. The two are siblings, and their dynamic is defined by mutual contempt, old grievances, and a competitive streak that neither can quite suppress. Athena's strategic brilliance and composed authority are, in Ares's mind, an affront to his own raw power, and he punts that resentment into every interaction. Their clashes are among the most charged scenes in the series, often serving as a pressure valve for the broader political tensions on Olympus.

His marriage to Aphrodite is another central thread. The union, which mirrors the mythological pairing, is depicted as a source of mutual frustration and public spectacle. Their eventual divorce is treated as a significant social event in the divine community, and Ares's bitterness over the split colors his subsequent interactions with Aphrodite and those close to her. He does not handle rejection or loss with grace; he handles it with a raised voice and a clenched jaw, and he does not let it go quietly.

In Their Own Story

The war-room on Olympus had a particular quality to it: the air tasted of iron and ozone, the long table scarred with old knife-marks, the windows overlooking a sky that never quite settled on a single color. Ares stood at the far end, arms crossed, his red hair falling over one eye. He had not sat down. He had not, in three hours of council, sat down.

"You're all going to vote on the border question," he said, not a question, "and I'm going to watch you do it, and then I'm going to remind you what happens when a god of war is in the room and nobody's listening."

Athena, three seats down, did not look up from her tablet. "Ares. Sit down."

He smiled. It was not a kind smile. The candles on the table flickered, just slightly, as though the room itself was leaning in to listen. Outside, the wind picked up, rattling the shutters, and for a moment the whole mountain seemed to hold its breath.

He did not sit down.

Reader's Guide

In the modern Olympus of Lore Olympus, Ares is the God of War—a full-bodied, red-haired deity who runs his domain with the subtlety of a sledgehammer. He is the loud one in every room, the one who paces, who interrupts, who treats a diplomatic meeting like a sparring match. His personality is defined by a short fuse, a deep-seed insecurity masked by aggression, and a genuine, if grudging, loyalty to his family that he will never voice directly.

His key relationships are his rivalry with his sister Athena (a constant, simmering antagonism rooted in mutual resentment) and his ex-wife Aphrodite (a marriage that ended in mutual frustration and public divorce). He is a recurring antagonistic presence in the broader cast, often the one who kicks down the door when the plot needs a flashpoint.

Visually, Ares is drawn with a heavily muscled build, scarred skin, wild red hair, and a perpetually scowling expression. His design leans into a rough, almost feral aesthetic that contrasts with the cleaner, more polished looks of gods like Apollo or Hephaestus. In-universe, he maintains a social-media presence consistent with the other Olympians—his feed is a parade of training montages, pointed jabs at rivals, and the occasional cryptic caption that his followers spend hours over-analyzing.

His mythological reinterpretation keeps the core of the war god—violence, chaos, the thrill of conflict—but grounds it in a very human pettiness. He is not a force of nature; he is a brother who is jealous, a husband who was hurt, and a god who is terrified that his anger is all he has.

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